Crew – if you are available to work as a local in the Virginia Beach area 
in mid-June, please send your resume to
captainphillipsva@gmail.com
Please put in the subject line 
Crew Resume Va - followed by your department, for example: 
Crew Resume Va - Grip/Electric
Crew Resume Va - Makeup/Hair 
Crew Resume Va – Prodn Assist
Crew Resume Va - Art Department  
Please address any questions you may have to the e-mail address above.
Yes, this production is a paid project. 

SHOWTIMES – Friday, May 11 through Thursday, May 17
AVALON THEATRE: 1:00 PM,  3:30 PM,  6:00 PM,  8:15 PM
SPECIAL Q&As w/Directors Jonathan Gruber and Ari Daniel Pinchot at The Avalon at 8:15 PM shows this Saturday 5/12 & Sunday 5/13.

WEST END CINEMA: 3:20 PM,  5:20 PM,  7:20 PM
SPECIAL Q&A w/Director Jonathan Gruber at The West End at 7:20 PM show this Sunday 5/13.
Ari’s award-winning film, FOLLOW ME: THE YONI NETANYAHU STORY, co-directed with another Silver Spring filmmaker Jonathan Gruber is in the midst of its world theatrical premiere run in Washington, DC ahead of a national theatrical release (it opens at Lincoln Center in NYC a week from now). Proceeds from FOLLOW ME benefit Yonatan’s Story, a 501(c)(3) foundation and non-profit entity.
Trailer and info about the film: http://www.followmethemovie.com

When:  Thursday, May 17 at 6:45pm
Where: Interface Media Group
            1233 20th Street NW
            Washington, DC 20036
Cost:  PGA members – Free
           Non-members – $25
Drinks and snacks provided
As Vice President of Production for Smithsonian Channel, Charles Poe guides the editorial process for all original programming and international co-productions. His efforts have shaped successful tentpole specials such as Mystery of the Hope Diamond and Titanoboa: Monster Snake, as well as on-going original series, including The Real Story and Aerial America. His work has been recognized with multiple industry awards.
Smithsonian Channel is a joint venture of the Smithsonian Institution and Showtime Networks Inc. The Channel explores the history of our planet, life, and culture. It features 100% original, family-friendly programming highlighting American’s historical, cultural and scientific heritage. Come and hear what’s next for this growing network.
RSVP & More Info:
http://www.producersguild.org/events/event_details.asp?id=233232

One Day on Earth (USA, 2012, 107 min.)  
The first film made in every country of the world on the same day captures the challenges and hopes of humanity from a diverse group of volunteer filmmakers assembled by a participatory media experiment. The film presents a world that is greatly interconnected, enormous, perilous and wonderful.  
Find out more about the event.   
When: Thursday, May 31, 7:30 p.m. 
Where: Regal Gallery Place 14, 707 7th St., NW, Washington, D.C. 
How: $9, Buy Tickets

Last Call at the Oasis (USA, 2011, 100 min.)
When: Opens Friday, May 11
Where: Landmark E Street Cinema
How: Purchase Tickets Online
Last Call at the Oasis presents a powerful argument for why the global water crisis will be the central issue facing our world this century. Illuminating the vital role water plays in our lives, exposing the defects in the current system and depicting communities already struggling with its ill-effects, the film features activist Erin Brockovich and such distinguished experts as Peter Gleick, Alex Prud’homme, Jay Famiglietti and Robert Glennon.                    

Join Josh Jones and Co. this summer for the production of an independent short film entitled Run. They are looking for capable people who are willing to help out and have fun while forging new relationships and networking within the RVA film scene. The positions are unpaid, but meals will be provided.
Production Dates:
June 25 – July 14 (approx. 15 days of part-time shooting)
Location:
Richmond, VA
Plot:
Cold city dweller Jack Grayson is given a strange disc on his way home from work. His curiosity about the object sends him looking for answers, just as the answers come looking for him.
THEY ARE LOOKING TO FILL THE FOLLOWING POSITIONS: Costume manager, Makeup artists, Production manager, Assistant camera, Boom operator, Set decorator, Production assistants, Grips, and Additional roles (please inquire)
Our crew call will be open until the start of production in late June.
To get involved, please visit our webpage at run.ironsky.co or send an email to crew@ironsky.co with the following things: What position(s) you are interested in, A resume detailing any experience you may have

Join Josh Jones and Co. this summer for the production of an independent short film entitled Run. He is looking for capable people who are willing to help out and have fun while forging new relationships and networking within the RVA film scene. The positions are unpaid, but meals will be provided.
We will be holding auditions on Saturday, May 19 in the VCU Cabell Library between 1pm and 8pm. 
Production Dates:
June 25 – July 14 (approx. 15 days of part-time shooting)
Location:
Richmond, VA
Plot:
Cold city dweller Jack Grayson is given a strange disc on his way home from work. His curiosity about the object sends him looking for answers, just as the answers come looking for him.
JOSH IS LOOKING FOR BOTH BACKGROUND ACTORS AND LEAD ACTORS FOR THE FOLLOWING ROLES:
JACK GRAYSON – 23-30 – Handsome but somewhat rugged. Cold, distant personality. He seems to live his life without a true purpose, floating along from one place to another without much driving motivation. When he acquires the disc, he develops a fascination with it that tends to overpower his general, hazy apathy. LEAD.
PAUL MORIARTY – 35-55 – Shady and mysterious. Withholding and hard to trust. Moriarty knows a little about the disc and has spent a large portion of his life searching for the object in order to use it. He knows Jack has the disc, and spends a lot of time trying to coax it away from Jack. LEAD.
SARAH DANE – 20-30 – Flighty. Usually in a good mood. Optimistic. She is interested in Jack and spends lots of her time setting up dates with him. Jack never refuses, but Sarah gets frustrated with how unreadable he can be. LEAD.
A SINISTER MAN – 30-50 – Pale and creepy. Unsettlingly cold. The sinister man haunts Jack and tries a few times to take the disc by force. Spiteful and cynical, the sinister man holds all the answers, but will never part with any of them. LEAD.
YOUNG GIRL – 8-12 – Naïve and innocent. The young girl is the one to give Jack the disc at the start of the film. She is quiet and shy, but is motivated to give Jack the object that she is convinced he lost.
Additional roles exist, but are unlisted. They correspond directly with the above ages/motivations.
To get involved, please visit our webpage at run.ironsky.co or send an email to casting@ironsky.co with the following things:  Your headshot, Which audition appointment time you would like*, Material demonstrating any experience you may have (optional)
*Background actors (extras) do not need to audition. They only need to submit a headshot.

Docs In Progress returns to Washington DC next Thursday, May 17 for a work-in-progress screening.  Did you know that this month marks the NINTH year of bringing work-in-progress screenings to DC Metro area and they will be doing so in partnership with The Documentary Center at the George Washington University, their longest running sponsor.
WHAT’S SCREENING
Fate of a Salesman 
by Ben Crosbie and Tessa Moran
Willie Carswell is fighting to keep his store alive. In its 60th year of business on H street, Men’s Fashion Center faces its toughest challenge: survival. A sinking economy and a gentrifying neighborhood may spell the end of this once iconic storefront in Washington, DC.
WHEN:  Thursday, May 17, 7:00 pm – 8:30 pm
WHERE: George Washington University
               Media and Public Affairs Building
               Auditorium B-07
               805 21st Street, NW
              Washington DC
The building is located at the corners of 21st and H Streets, NW.  Auditorium B-07 is one floor down from the entry level.  Walking distance to the Foggy Bottom Metro and near garage parking which runs $8-10 in the evenings.  (Park on the street at your own risk – those are 2 hour meters and they DO ticket if you stay beyond that limit).
SUGGESTED DONATION
$10. Your donations help them cover the costs of facilities and staff time for these programs. Cash only. No advance tickets or RSVPs required.
WHAT’S A DOCS IN PROGRESS SCREENING ANYWAY?
Docs In Progress screenings provides an opportunity for local and visiting documentary filmmakers to screen their unfinished films to an audience and get valuable feedback. After screening the film, facilitators from Docs In Progress moderate a feedback session with the audience. This honest and constructive feedback is aimed at helping the filmmakers get to the next stage of completing and distributing the film. 

TLC is now casting for a new documentary series featuring extreme savers!
Are you extraordinarily thrifty? Do you take pride in your ability to spend as little money as possible? Have friends and family referred to you as cheap? Do you refuse or alter social situations based on your need to save? We are looking for those whose frugality is their way of life. If you or someone you know is extremely inventive in stretching a dollar, we would love to hear from you!
Please email us at TLCcastingshow@gmail.com detailing your most extraordinary money-saving techniques.

There’s a film festival that can help filmmakers in your communities as well as local nonprofits and the folks they serve.
Lights. Camera. Help. has opened its call for entries for its 4th annual film festival.  Lights. Camera. Help. shows PSAs, short films and feature length films dedicated to a cause on the big screen for audiences for love film and love giving back.
After the festival, money is awarded to the nonprofits featured in or designated as beneficiary for the film.  They’ve awarded money to a girls school in Kenya, an arts program helping the homeless get on their feet in Texas, an organization dedicated to clean water for Appalachian coal mining towns and others.
Please spread the word among the filmmakers in your community that if they’ve produced anything for a cause, there is not entry free for this festival for early submissions.
Details for submissions are at: http://lightscamerahelp.org/entry
Lights. Camera. Help. looks forward to seeing what your film communities submit!

Gordy Hoffman, the Sundance award-winning writer/director (LOVE LIZA, A COAT OF SNOW) and founder of the Blue Cat Screenplay, will lead a screenwriting workshop.
When:  Saturday, June 2, 8:00 a.m. – 5:00 p.m
Where: Dupont Circle Business Incubator
             1638 R Street Northwest #120a 
             Washington, DC 20009
THE FULL SCRIPT WORKSHOP
Participants read seven screenplays in advance of the workshop. Screenplays can be first drafts or rewrites, with first time writers and veterans all welcome. During the workshop, Gordy provides direct and in-depth feedback on each screenplay, with everyone encouraged to contribute his or her own thoughts and concerns.
Each writer will leave with great sense of what they can do specifically to improve their screenplay, as well a better awareness of where they might properly develop as a professional screenwriter as a whole. Not only do you learn from the focus placed on your screenplay by the workshop, but also by the examination of the six other scripts of the day.
Gordy will provide brief written notes to each writer after the workshop.
REGISTER
WIFV Members register under the WIFV Option
http://www.bluecatscreenplay.com/workshops/washington-d-c-2/
Full Registration: $225 / $175 for WIFV Members
Audit: $45 / $35 WIFV Members
Limit 7 writers
AUDIT OPTION
Do you want to participate, but do not have a script to submit at this time? You can audit the workshop, which allows you to attend without submitting written material, read the scripts in advance and still participate in the discussion.
For more info visit, http://www.bluecatscreenplay.com/workshops/washington-d-c-2/

THE 2012 VIRGINIA SCREENWRITING COMPETITION
APPLICATION IS AVAILABLE ONLINE!

The 2012 Virginia Screenwriting Competition presented by the Virginia Film Office is open to Virginia residents and students attending Virginia schools, and there is no entry fee to submit a screenplay.
Every screenplay in the competition will receive a written critique from the first panel of judges and screenplays selected as finalists in the competition are judged by industry professionals actively producing feature films. 
The deadline to enter is Friday, May 25, 2012. 
All entries must be postmarked on or before that date.
Click the link below for more details and an online application:
2012 Virginia Screenwriting Application
and with further questions, contact Kathryn Stephens in the
Virginia Film Office at 800.854.6233 or email kstephens@virginia.org

DID YOU KNOW there is a Staunton VPA being formed??
And the Hampton Roads VPA is ramping up their activities and membership!
Also don’t miss the Charlottesville VPA speaker events –
Check out all the current VPA activities and events on their website:
http:// www.filmva.com/

If you missed the May 6 cable television premiere of Hallmark Movie Channel’s “Lake Effects”, filmed in the Roanoke area (Smith Mountain Lake), starring Jane Seymour, you can catch it again at the dates and times listed below.
(Note; the Hallmark Movie Channel is a different station than the Hallmark Channel).

 May 8, 2012 Tuesday
… Hallmark Movie Channel … 10 AM
… Hallmark Movie Channel …   6 PM

May 11, 2012 Friday
… Hallmark Movie Channel …   8 PM
… Hallmark Movie Channel … 10 PM

May 14, 2012 Monday
… Hallmark Movie Channel … 4 PM
… Hallmark Movie Channel … 2 AM (Tue May 15, 2012)

May 17, 2012 Monday
… Hallmark Movie Channel … 10 AM 
… Hallmark Movie Channel …   8 PM

http://www.hallmarkmoviechannel.com/schedule.aspxDate=5/15/2012&Range=5/13/2012

Producer: Sara Elizabeth Timmins Producer: David Baldacci Producer: Karen S. Spiegel Associate Producer:  Erica Arvold Writer: David Baldacci Casting Director: Erica Arvold Casting Associate: Michelle Kelly Casting Assistant: Andrea Gaines
Start Date: Late Summer/Early Fall 2012
Location: Roanoke, VA area
STORYLINE – Precocious 12-year-old Louisa Mae Cardinal and her younger brother Oz must go to live on their great-grandmother’s farm in Virginia. Lou finds herself coming of age in a new landscape, makes her first true friend, and experiences a struggle played out in a Virginia courtroom that will determine her future and the future of her entire family.
This feature film will be under the SAG-AFTRA Low Budget film agreement. This is a preliminary regional search for the following 3 roles only.

LOU CARDINAL – 12-14, Caucasian.  Pretty and feisty. A tomboy. She wants to be a writer like her father whom she greatly admires. Lou is overwhelmed when her father is killed and her mother is left catatonic in a car accident. She is apprehensive about her move to the south, but is also curious to learn more about the family her father never talked about – especially her great-grandmother.  LEAD

OZ  CARDINAL – 9-11, Caucasian. Lou’s younger brother. Quiet. He is sometimes dismissed by his older sister for being seemingly naïve, but still looks up to her. Ever hopeful, Oz has a positive view of the world, and brings much needed humor to his sister’s struggle.  LEAD

DIAMOND SKINNER-  10-14, Caucasian. A skinny, mischievous “mountain boy” with an authentic southern accent. He develops a close friendship with Lou and Oz. He takes pride in showing off his mountain and its countryside…especially to Lou. LEAD

HOW TO SUBMIT: Please send a recent photo (or snapshot) and resume to Click to email wishyouwellcasting©gmail•com
(copy the resume into the body of the mail if possible, do not worry about formatting). Please include ALL the following information at the top of your email submission IN THIS ORDER to be considered: Name: City and State: Union status (SAG-AFTRA or not): Role submitting for: Age: Height: Weight: Home number: Cell phone number(s): Guardian’s name (mother, father): Agent, if any: Agent’s phone number and email address, if applicable:

Please put the following SUBJECT HEADING for your submission (personalized to YOU): YOUR FIRST AND LAST NAME and appropriate ROLE. For example: John Smith, OZ Jessica Smith, LOU

-Union and non-union actors will be considered for this feature film. -Talent agency and direct actor submissions are accepted.

Erica Arvold Casting will be having auditions (live and/or virtual) by invitation ONLY. Submitting does not automatically get you an audition, but does get you considered for one. Because of the large amount of submissions expected, they are only able to respond to those submissions they select for auditions, but they appreciate your interest!